

- The first period of creation was devolved to a work of cuts, folding and rolling of patches of metal as the art of origamis. The second period presents furniture conceived as a coffering multiforms, the determining lines of which are dé pouvues of any ornament contrasting with the coolness of the material, the piece of furniture becomes a sinuous writing trained by arabesques. Her style is at once organic and geometrical and its creation is freed(released) from the superfluous and the effects of fashion: it is simple and sober announcing a timelessness and certain classicism. |
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